Performing: Saxon, Lordi, Pretty Maids, Stratovarius, Masterplan, Entombed, Lake of Tears, H.E.A.T., Die Apokalyptischen Reiter (hall), Onslaught (hall), Artillery, Dream Evil, Fleshcrawl (hall), Exumed (hall), Crazy Lixx, Wanted Inc.
Location: Balingen / Messegel’ande (Volksbankmesse) / Germany
Date: Friday, July 12, 2013
Morning can be thraaaaaaaaaaassssshhhhhh too!!!! We aired out our heads for the new day with the sweet melodies of German thrash usurpers and sonic aggressors Wanted Inc., who were presenting their debut studio album “Demons We Created” (2012). The quartet is seasoned. They’re really a continuation of the legacy of the death metallers Wanted, who after their 2009 debut started making such different music that their style changed with it. Once the guys realized that, the name had to change too. Enter Wanted Inc., who now sit closer to the pioneering legacy of their countrymen Sodom, Kreator and Paradox. An uncompromising assault and a crashing wake-up call, in a tight and thoroughly committed show of just over 40 minutes.
Well, with the next band, Danish veterans Artillery, we stayed firmly in the clutches of old-school European thrash metal. We saw them in the hall three years ago, and since then the lineup has been shuffled twice. If anyone was expecting Søren Nico Adamsen in his helmet, they were wrong. This time the man at the mic was the band’s new vocalist, Michael Bastholm Dahl. Original drummer Carsten Nielsen is gone too; he was replaced by Josua Madsen at the end of last year. The core of the band remains original, though: brothers Michael and Morten Stützer and bassist Peter Thorslund. The band put together a killer late-morning heat wave, hammering out some truly cult classics from their eighties discography. From the second album “Terror Squad”, the set list had The Challenge, which opened the show, and that “cheerful” intro was backed up by no fewer than three detonators from that album: In the Thrash, At War With Science and the title track. The first 15 minutes flew by in a blink. The band hadn’t lost any dynamite compared to their show three years ago. Michael Bastholm Dahl brought freshness to the crew and lifted the stage dynamics, while Madsen proved himself a nitpicky “timekeeper”: fast, and, as befits thrash metal, incredibly colorful and explosive. Nothing could possibly go wrong anyway, with the rock-solid Stützer brothers holding all the reins! Yet another phenomenal live manifesto, which Artillery wrapped up in the most sharpened, bristling way on the wings of classics from “Inheritance” (Khomaniac, title track), the newer “When Death Calls” (Rise Above It All, title track) and the only song from the current album “My Blood” (2011), Death is an Illusion. They closed with the classic The Almighty, taken from the debut studio album “Fear of Tomorrow”.
From the morning thrash racket to gentler sounds. But no less predatory. That was thanks to Swedish sleaze rockers Crazy Lixx, with a three-quarter-hour set that unfolded very intensely. Without the notorious outfits and theatrics of their countrymen Hardcore Superstar, the guys turned the festival’s mood upside down! They drew a completely different crowd to the stage, one that enjoyed a simple but boldly chopped-up gallop of clattering rhythms and anthemically infectious marches. That mix of potent rock attitude and melodic catchiness naturally showcased the point of the new album “Riot Avenue” (2012), from the opening Young Blood to the album’s title track, and closing with Whiskey Tango Foxtrot. The band cunningly kept the show’s dynamics high with a slightly cheap, predictable tactical trick, covering Quiet Riot and Twisted Sister evergreens, while also rounding out the set with the fan favorite singles Heroes Are Forever and Want It. Nothing outstanding, but very likable.
Dream Evil are considered a seasoned band, having been around since 1992. Despite a fairly modest discography, the guys have put out some very high-quality albums with all the typical hallmarks of Euro power metal. Of course, the days when drummer Snowy Shaw (XXX, ex-Therion, ex-Mercyful Fate, ex-King Diamond) and lead/rhythm guitarist Gus G. (Ozzy Osbourne, Firewind) were part of this quintet are long gone. Still, the reins are held with undiminished intensity by Fredrik Nordström, a veteran among Scandinavian producers, who handles rhythm guitar in the band. The crew sounds tight, coherent, unbreakable and in total command on stage. Power metal, straight-up and goofy. The Accept-Priest-Primal Fear riff-forging pattern is almost an exotic thing these days, yet Dream Evil still cling to it faithfully and effectively. The band is promising a new studio album this year. Vocalist Niklas Isfeldt hasn’t lost an ounce of his charge as a convincing performer. The short-haired singer, who has picked up a gray hair or two and a few extra pounds over the years of defiance, grabbed the crowd instantly as soon as the band struck up Immortal, then carried on his metal march through proven standards In the Night, United, Bang Your Head, In Flames You Burn, Children of the Night, The Chosen Ones, Chasing the Dragon and the closing The Book Of Heavy Metal (March Of The Metallians). Dream Evil’s appearance at Bang Your Head was an exclusive one. It was only their fourth show of the year, and probably their first and only summer show this year.
H.E.A.T., a hot glam revival export from Scandinavia, continued the Swedish invasion of the main stage on the festival’s first day. The band, who released their current studio album “Address the Nation” last year, naturally used their summer gigs to promote it, since the ambitious guys are already announcing its follow-up for 2014. RockLine caught them on the stages of the rained-out Hi-Rock festival in early June 2013 and was pleasantly surprised by the intensity of their stage dynamics in delivering the repertoire, the coherence and the tightness, driven by that innate Swedish drive for perfection. At this show, too, there wasn’t a single flub to be felt. The band’s main engine on stage remains the untamed vocalist Erik Grönwall, who threw himself into his acting role and was the first on the festival to really make use of the stage’s “cat walk”. From the opening Breaking the Silence to the closing It’s All About Tonight, the guys kept up an extremely likable, infectious energy of stage charisma, rewarding listeners with excellent sound and a tight performance, further boosted by an especially successful delivery of multi-voice harmonies. Above all, the crowd’s reactions confirmed that the Scandinavian wave of “glam rock revival” is very popular and appreciated right now. A thoroughly sharpened show from the band!
Masterplan are a German power metal band of a younger vintage, led by the experienced music veteran and guitarist Roland Grapow. After it looked like Jorn Lande’s irreplaceable vocals might finally settle into the lineup following the studio album “Time To Be King” (2010), he handed his spot in Masterplan over to another vocalist again because of obligations to his own band and other projects. The mic was taken over by At Vance singer Rick Altzi. Masterplan are one of the last bands to appear on the tail end of the power metal boom (which started with HammerFall in the second half of the nineties) and survive the flood of bands in the same genre. Probably thanks to the Roland Grapow name. After one of the most acclaimed Helloween releases, “The Dark Ride”, he left the band in 2001 together with drummer Uli Kusch and founded Masterplan. The reason? The conservative wing of Heloween wouldn’t allow any change to the band’s sound and style, which is a real shame, since “The Dark Ride” was a welcome departure from the band’s already chewed-over, worn-out formulas. Anyway, Masterplan are a lineup of seasoned musicians, and they made excellent use of their Balingen show. They opened it with the two most famous songs of their career, the singles Enlighten Me and then Spirit Never Die. An infectious, ravenous start, no doubt! The band was completely overhauled last year. Of the original members, only Axel Mackenrott on keyboards is left next to Grapow. Besides the new vocalist Altzi, who delivered convincingly enough to show he’s worthy of the spot Lande left him, the lineup was filled last year by Czech drummer Martin Skaroupka, who previously drummed for Cradle of Filth, and Jari Kainulainen, who played bass for years in the classic “Tolkki era” Stratovarius lineup. So Grapow is leaving nothing to chance. Interestingly, from the freshly released album “Novum Initium” (2013) the band played just two songs (Keep Your Dream Alive, Betrayal), and built the set around the debut “Masterplan” (2003). For a veteran concert-goer of my caliber, I’d call that the ideal choice. “Masterplan” is the brightest point of Masterplan’s career! Grapow knows Masterplan are in a phase of recalibration and regeneration (the album title confirms it), so he went for the tried-and-true move of “carefully feeling out the ground underfoot”. The band will rest on its old laurels for a while, and only with the next album (the one that follows “Novum Initium”) will we get confirmation whether the band still dares to develop artistically, or will keep staying within the generic, tested frameworks of songwriting. A very strong show, which the music veterans delivered at Balingen with routine, experience and great know-how!
Legendary pioneering death metallers from Scandinavia who played a decisive role in developing the distinctive death metal sound of the old continent, which so many bands then jumped on, are certainly Entombed. After the album “Wolverine Blues” they lost touch with the scene because of a long break, and of the original members only singer Lars Goran Petrov and guitarist Alex Hellid are still around today. Their set was a welcome bit of variety on the festival’s first day, because until then, with the exception of Artilery, the crowd had been entertained mostly by younger-vintage bands that don’t bring any particular songwriting insight to the table. Entombed are a whole different story. This is a band with a strictly recognizable musical form. The little guy with the tangled hair, Lars Goran Petrov, is no joke. He still produces an ear-splitting growl, and its quality hasn’t wavered at all. Entombed looked the afternoon’s biggest heat straight in the eye! The band swung a hook right at the forehead, opening the show with the classic death metal march Living Dead (from the album “Clandestine”, 1991). Mosh! For the first time at the festival! The band mostly mixed up the repertoire with classics from the first three albums (Revel In Flesh, Stranger Aeons, Out Of Hand), and the closing stretch didn’t let up either, as the band ran through Eyemaster, I For An Eye, Left Hand Path and the expected Wolverine Blues, signaling that we can look forward to a new studio album cut from the band’s true old-school death metal roots. The Entombed show was a blend of outstanding chemistry between the members, which ensures remarkably precise delivery of the repertoire. The rhythm line was strikingly filigree, while the band’s most striking figure in 2013 is definitely, once again, frontman Lars. In stature he’s more an “on-duty goblin” than the God-fearing thunderer you’d expect in a death metal singer’s spot. But that’s no yardstick for judging. Lars Goran Petrov remains, despite his funny appearance, an excellent and thoroughly convincing growler and an essential building block of the stature and voice of Entombed!
Around this time the stage in the neighboring Messegelände hall came alive too, where German death metallers Fleshcrawl started thundering mercilessly. Bristling horsemen of the apocalypse, who take their sound, and their style too, from Sweden’s Dismember, slaughtered everything alive in the hall! The opening alone was intense, as the band spread its wrath without mercy through the songs As Blood Rains From The Sky, then the excellent Soulskinner and the older classic Dark Dimension. The crowd’s response was a touch different from the madness of last year’s Metal Manie festival at Komenski Kras, which suggests the Germans are a slightly more jaded audience, since they get concerts in abundance. Still, by mid-afternoon the hall already smelled of alcohol fumes in excess, brewed by the mouths of numerous German drinkers, which naturally affected the many “stiffened” bodies shuffling around the hall. The “holes” in front of the stage showed intense moshing, and Fleshcrawl crowned their hall show with excellent tightness. Charismatic vocalist Sven Gross especially impressed with his presence! The riff harmony of the two guitars and the supple, dynamically lively rhythm section add up to a proven guarantee of explosiveness for this seasoned death metal quintet. Fleshcrawl surprised with the very ending, when they launched into a cover of The Day Man Lost, originally by Carnage.
More variety followed with the show by legendary Swedish doom metal veterans Lake Of Tears. First Candlemass on the warm-up day, then Lake Of Tears the next day. Nice, isn’t it? This is a band with something to say, having been around since the early nineties. The album “Illwill”, released last year, continues the confessional trend of its predecessor “Moons And Mushrooms” (2007) and delivers, in the band’s new era, an emphatically wound-up, dark doom metal album that even contains elements of death metal. So we can say that in this respect Lake of Tears are in a way closing their developmental circle, having come close to the basic cues of the album “Greater Art” (1994). At the same time, the new album carries a convincing degree of artistic maturity, with both progressive and psychedelic elements, on top of the aforementioned “doom/gothic” and “death metal” touches. It’s no longer big news that Lake Of Tears are a band that has developed the point of the metal heritage in various hybrid forms on its albums, and “Illwill” keeps that trademark alive for new times very convincingly. They opened with two classically built but new Lake Of Tears numbers, Taste Of Hell and Illwill. A rather predictable continuation of the set compared with the November experience, when we caught the band in Vienna (they were opening the shows for Pain and Moonspell then). They livened up the repertoire by slotting in Sweetwater, and besides that The Greymen, Boogie Bubble and Raven Land rang out too.
After the “heat storm” with Entombed, the main stage was taken over by Danish hard rock veterans Pretty Maids. The huge crowd reactions at their shows prove that Pretty Maids remain a highly respected and recognized band in Germany. True, the audience in front of the stage was thoroughly reshuffled after Entombed, but the inner circle of the floor was packed extremely tight. Up to the Pretty Maids set, certainly the most so. The band came out in the identical lineup as two years ago at the same festival. Back then the Bang Your Head!!! organizer gave them the smaller hall stage. This time Pretty Maids landed in Balingen with one important difference. A new studio album in their pocket! The band served it up right away, tackling the more aggressive Mother Of All Lies and then the melodic I See Ghosts. The third song already brought a surprise! Needles in the Dark from the cult album “Future World”. That album was seasoned in further as the band cut loose with Yellow Rain and Rodeo, and got the crowd on its feet in the closing part with the (as expected) title track too (the expected Back to Back and Red, Hot & Heavy were not left out either). The excellent album Pandemonium wasn’t overlooked either, with the melodically infectious I.N.V.U. and the phenomenal Little Drops Of Heaven. Pretty Maids are made of the right stuff. Ronnie Atkins handled the vocal duties excellently in the middle of the heat. A veteran among hard rock singers, he no longer has that vocal freshness, but with his precious experience and his skill at “leading” the crowd during a show, he completely took over and won everyone. Hands in the air. From the front row to the mixing desk. Across nearly 100 meters! It’s incredible how much space seasoned Ken Hammer covers with just one guitar. Pretty Maids remain a stage attraction that keeps its commitment and grit! After what we enjoyed at Bang Your Head!!!, we can sincerely look forward to catching one of the already confirmed shows of the band’s autumn European tour!
Finnish power metallers Stratovarius jumped onto this year’s Bang Your Head!!! lineup “from the second string”! After W.A.S.P. canceled their show. This is also a band that has already lived through and survived plenty in its career. From peaks to dizzying falls. The new album “Nemesis” (2013) is considered the band’s best “post Tolkki era” album. The crew brought back some creative, songwriting freshness on it, and above all the songs please with a successful anthemic melodicism and infectious choruses. Reinforced by new drummer Rolf Pilve, who last year replaced the retired drumming legend Jörg Michael, Stratovarius mixed their classics Speed Of Light and Kiss Of Judas in among the new songs Abandon, Halcyon Days, Dragons and the single Unbreakable, plus the absolute surprise of the concert, Against The Wind from the album “Forth Dimension” (1995), the must-have Black Diamond, and closed the show with the “Infinite” (2000) classic Hunting High And Low. The show confirmed that Timo Kotipelto has lost some range over the years, and the band also adjusted the tuning (it was lower, to suit the singer’s current vocal characteristics). But it’s good to see that Tolkki’s successor, guitarist Matias Kupiainen, is an unstoppable machine, a real perpetuum mobile, who delights with his outstanding stage performance. He’s one of the most (if you will) textbook “wired” guitar virtuosos Finland has produced to date, impressing with a brilliant combination of exceptional speed, precision and control over the instrument known as the electric guitar. So Stratovarius show no signs of rusting or fading! The bravura crossfire of solo escapades between Matias Kupiainen and Jens Johansson was once again one of the biggest attractions of the Stratovarius show.
Speaking of Finns, here come Lordi! Lordi closed the 2011 edition of Bang Your Head!!! They played in the hall on the second day, after the festival’s headliner, who played the main stage (Accept). This time Lordi took the main stage spot, right before the first day’s headliner, Saxon. Unfortunately, contrary to expectations, Lordi had the worst stage sound of the festival’s first day. This band already has plenty of sound layers that it leans on through its shows. But this time the poor sound picture really showed its teeth. You could barely hear the guitar during the set. Or it buzzed inconspicuously, buried somewhere deep under the layers of the other instruments. Lordi naturally made up for it with their popularity and their famous shock-show theatrics. It didn’t bring any standout moments, but just the quintet’s costumes are attraction number one if you’ve never seen Lordi live. As for the rest of the theater, full of zombie rituals, cannibalism rituals and autopsy, let’s not even waste words. Besides the new album (the songs The Riff, We’re Not Bad for the Kids (We’re Worse), Sincerely with Love), titled in the style of the band’s famous satire and parody “To Beast Or Not To Beas” (2013), Lordi also presented a revamped lineup. Drummer Mana, who replaced the late Otus, and new keyboardist Hella, who replaced her predecessor Awa. Besides all the stage clutter, the other factor that means the band has nothing to fear if it doesn’t deliver good sound at a show is the number of hits weighing down its repertoire. Lordi handled that with the expected performances of Who’s Your Daddy?, They Only Come Oout At Night, Devil Is A Loser, Eurovision winner Hard Rock Hallelujah and the closing Would You Love A Monsterman. Refreshing fun? No doubt. But not for sound purists!
And what to say about the night’s headliners on the festival’s first day? Almost nothing. Saxon are simply our old acquaintances. If you follow the daily news in metal, Saxon quickly become almost “everyday acquaintances”. It’s incredible, really, that these veterans, formed way back in 1976, haven’t just stuck around on the scene but are, in their mature years, generating exceptional productivity in the studio. The same goes for their constant visits to European concert stages (they wrote off the USA long ago). They had barely visited us in the Slovenian capital as part of the first leg of the new European “Sacrifice” tour when they launched an invasion of this summer’s festival stages. The band needs no introduction; it has commanded the biggest and most important European festival stages, Wacken included. So Saxon know no unknowns, nor hide-and-seek. But the guys used this show to equip it to the maximum. With pyrotechnic effects that included occasional salvos of smoke screens, sparks and fire, a visit from the famous eagle, and the addition of extra stage lighting built into the stage. Nigel Glockler, drums and all, was lifted high into the air on a moving lift during his solo.
In circumstances like these, the untamed metal heart of the band’s leader and vocalist Biff Byford really kicks into high gear. The man was grinning throughout the show. The cheerful commander kept tossing out anecdotes between songs and entertaining the crowd at the expense of his minions in the band. That evening his tongue was especially well-oiled. At one point he even went mockingly up to the festival’s main organizer Horst, who was watching the show from up close, sitting on the far right monitor, and shoved a microphone under his nose so he could sing the simple chorus combo “Wheels OF Steel”. Even this man who’s seen it all was apparently so rattled that he couldn’t get out so much as the letter “W”, though it’s clear that the name Horst E. Franz is a rocky mountain massif of the German metal scene.
To console the Slovenian fans who weren’t at Bang your Head but saw the band at Kino Šiška on June 12, 2013! Saxon played a set of the same length at Bang Your Head!!! No special surprises. They built the repertoire around older classics, really cult tracks, which they slipped back onto the set list (To Hell And Back Again, Motorcycle Man, The Eagle Has Landed, And The Bands Played On), while some newer song dropped off it, and also (sadly) a sweet treat like the excellent ballad Forever Free from the album Iron Wheels (played in Ljubljana a month earlier).
In the position of a band with the kind of mileage Saxon had that night, victory was truly easy to win. With a fantastic delivery of a repertoire that once again gave us some unforgettable elemental old-school riffs born in the time of the N.W.O.B.H.M. movement, Biff Byford’s commanding routine, which among other things made use of a flag the fans in the crowd handed him to fire up the venue, and, as always, the denim jacket full of patches that the elder statesman of metal singers gratefully pulled on in the last third of the show, all the way to the theater of the concert’s stage set! Bombastic! Tailor-made for a potential live release on audio-visual media. No more, no less. Magical. Hypnotic. And once again. In harmony with the authenticity of the unique heavy metal heritage of the great Saxon!
A person who has seen Saxon in every possible incarnation and stage variety would, given the “privilege” of Saxon being the first day’s headliners at BYH in 2013, still have expected a set at least 15 minutes longer and the inclusion of some surprise. And the bitter realization that there was no standout moment couldn’t be hidden even by all the stage clutter and resulting bombast of the band’s show at the Balingen festival. The thing you don’t even notice at first sight and sound, under the influence of “seduced emotions”, becomes, after the post-concert sobering up, the realization of a bitter truth! If you were watching Saxon for the second or third time in your life and ran into the Balingen production, you could only applaud. No doubt about it.
But the first day wasn’t over yet. In the hall, Die Apokaliptischer Reiter were raising hell, a successful project of Sodom boss Tom Angelripper. The hall was “sealed”. It got so packed that they stopped letting people in. So we went for another round of sandwiches at the nearby Subway, and then to bed. The concert by British veterans Onslaught was announced in the hall between one and two in the morning, but the dreamy wings of Morpheus didn’t wake us from our sweet slumber until morning.
Author: Aleš Podbrežnik
Photos: Aleš Podbrežnik
ARTILLERY:
1. The Challenge
2. In the Trash
3. At War With Science
4. Terror Squad
5. When Death Comes
6. By Inheritance
7. Death Is an Illusion
8. Rise Above It All
9. Khomaniac
10. The Almighty
CRAZY LIXX:
1. Young Blood
2. Lock Up Your Daughter
3. Riot Avenue
4. Cum On Feel The Noize
5. We’re Not Gonna Take It (Twisted Sister)
6. Want It
7. Rock And A Hard Place
8. Road To Babylon
9. 21 Til I Die
10. Heroes Are Forever
11. Whiskey Tango Foxtrot
H.E.A.T.:
1. Breaking the Silence
2. Better Off Alone
3. 1000 Miles
4. Late Night Lady
5. Straight For Your Heart
6. Beg Beg Beg
7. Downtown
8. Falling Down
9. Heartbreaker
10. Danger Road
11. Living on the Run
12. It’s All About Tonight
MASTERPLAN:
1. Enlighten Me
2. Spirit Never Die
3. Lost and Gone
4. Crystal Night
5. Betrayal
6. Crimson Rider
7. Back for My Life
8. Time to Be King
9. Keep Your Dream Alive
10. Heroes
11. Soulburn
12. Kind Hearted Light
13. Crawling From Hell
FLESHCRAWL
1. As Blood Rains From The Sky
2. Soulskinner
3. Dark Dimension
4. Structures of Death
5. Damned in Fire
6. Into the Fire of Hell
7. Slaughter at Dawn
8. Under the Banner of Death
9. Beneath a Dying Sun
10. Written in Blood
11. From the Dead to the Living
12. Flesh Bloody Flesh
13. Made of Flesh
14. The Day Man Lost
PRETTY MAIDS:
1. Mother of All Lies
2. I See Ghosts
3. Needles in the Dark
4. Rodeo
5. I.N.V.U.
6. Yellow Rain
7. Little Drops of Heaven
8. Future World
9. Back to Back
10. Red, Hot and Heavy
LAKE OF TEARS:
1. Taste of Hell
2. Illwill
3. Demon You / Lily Anne
4. Raven Land
5. The Greymen
6. Boogie Bubble
7. So Fell Autumn Rain
8. House of the Setting Sun
9. Crazyman
ENTOMBED:
1. Living Dead
2. Like This With the Devil
3. Out of Hand
4. Revel In Flesh
5. To Ride, Shoot Straight and Speak the Truth
6. Stranger Aeons
7. Damn Deal Done
8. I for an Eye
9. Eyemaster
10. Supposed to Rot
11. Left Hand Path
12. Wolverine Blues
STRATOVARIUS:
1. Abandon
2. Speed of Light
3. Halcyon Days
4. The Kiss of Judas
5. Dragons
6. Against the Wind
7. Black Diamond
8. Unbreakable
9. Hunting High and Low
LORDI:
1. Intro (God Of Thunder)
2. We’re Not Bad for the Kids (We’re Worse)
3. Bringing Back the Balls to Rock
4. The Riff
5. Who’s Your Daddy?
6. Blood Red Sandman
7. It Snows in Hell
8. I’m the Best
9. Hard Rock Hallelujah
10. They Only Come Out at Night
11. Devil Is a Loser
—encore—
12. Sincerely With Love
13. Would You Love a Monsterman?
SAXON:
1. Procession (intro)
2. Sacrifice
3. Wheels of Terror
4. Power and the Glory
5. Heavy Metal Thunder
6. Solid Ball of Rock
7. I’ve Got to Rock (To Stay Alive)
8. To Hell and Back Again
9. Night of the Wolf
10. The Eagle Has Landed
11. Conquistador
12. Drum Solo (Nigel Glockler)
13. Motorcycle Man
14. Stand Up and Fight
15. Dallas 1 PM
16. And the Bands Played On
17. 747 (Strangers in the Night)
18. Wheels of Steel
—encore—
19. Crusader
20. Strong Arm of the Law
21. Denim and Leather
22. Princess of the Night
ONSLAUGHT:
1. Born for War
2. Killing Peace
3. Let There Be Death
4. Angels of Death
5. Destroyer of Worlds
6. Metal Forces
7. Fight With the Beast
8. Planting Seeds of Hate
9. Demoniac
10. Shellshock
11. Burn
—encore—
12. The Sound of Violence
13. Power From Hell
14. Thermonuclear Devastation
Meow Gallery: There was an error while building the gallery. Check your PHP Logs.
