Black Out Sunday

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Artist: Chainfist
Label: SAOL
Release: 2010
Duration: 50:10
Rating: 1.2/5

Hard rock that draws on modern metal influences, smells like something new and wants to be declared as something new too: those are the labels the self-proclaimed Danish rock veterans Chainfist adorn themselves with on their full-length debut Black Out Sunday. And that thing is, hand on heart, a polished production job but a pretty pointless product idea-wise, so let’s take it nice and in order, like the houses in Trieste. When we review metal, every verdict has to be weighty, justified and weighty. The flowering of the Danish scene and the share of heavyweight metal names that contributed to metal’s reign are definitely defined by names like Mercyful Fate, somewhere far off at the back of the skull there are also a few Pretty Maids, and another name or two could be dug up. The second part of the Danish record is Chainfist themselves. A quintet rounded out by an arsenal of musicians who have so far served in bands like Infernal Death, Frozen Sun and Panzerchrist, and who, instead of a burst of extreme music, reach for a softer, more watered-down and thoroughly softened version of something like a derivative of various rock genres, which sincerely yearns to land in the gray zone between rock and metal while also hoping to beg a few bucks off the airwaves. They describe themselves as a union of the holy trinity of James Hatfield hanging out a bit too much with Ville Valo and Nikki Sixx, and it’s not even that far from the truth, at least as far as adaptability and the effort to please at first pitch go …

Heavy rock, as the synthesis of two worlds might be called, is easy to measure with two different watts. On one side you’ve got the musical body, which has to be steel. The other half of the coin is contributed by the lyrics, which actually have to be endowed with balls, maybe a pinch of nonchalance and arrogance, and it all has to work together in one wrecking package as a single. The first joint product with the fresh and not exactly most experienced singer Jackie Petersen offers a dozen tracks that musically don’t lack fun riffs, but the energy stalls at the lukewarm vocal delivery and the wretched lyrics. By the ideal, Chainfist have actually managed to get really close to Metallica on Reload, and they cooked up the jet fuel straight out of moments of emptiness. The guitar monotony of the duo Michael Kopietz and Tim Madsen is still the least bothersome part, Heidelbach’s drums and Pedersen’s bass also sound pretty organic, but in this full-length foreplay there’s no factor of total satisfaction, and a firm emotional erection is nowhere to be seen, no matter how hard you look. The festering wound of the whole thing is the poor pronunciation and the benign lyrics, which, because they never went through a proofreading round with some English-language grad, limp both in pronunciation and in wretched rhymes. The album promisingly kicks off with Free Me, but after the first couple of choruses you realize that the last the music is stretched over is pretty dry. The songs are quite alike and recall the boredom that Disturbed conjure up in my ears, at least. A brighter moment is the little ballad Stay, which draws its substance from a pool of sadness and weepy aesthetics. Chainfist spent a whole three years getting tempered, searching for the recipe for deep penetration into the hearts and souls of European fans, but the lukewarm puddle of confessional fiascos, bouts of loneliness and unrequited loves is simply banal musical melodrama. Lyrics, my dears, count a damn lot when judging quality. If I can forgive Avanged Sevenfold their wretched themes thanks to good execution, the Danish party-loving quintet is, because of “copy – paste” riffs and hollow ideas, totally out of breath and out of energy. Chainfist bet on catchiness and on burrowing into your cerebral cortex and staying there like a brain cramp for as long as possible. After the theatrical closing of the album, the track SHCHWH, on which Chainfist collaborate with Illdisposed guitarist Jakob Batten, the dreamy metal war of guitars and screaming solos at least in the end soothes the bleeding ears, sore from all the crying, a little.

Let me finish with the strongest positive element of the record: besides the production, that’s the cover art by designer Sazes Gustavo, who has so far added visuals to releases by God Forbid and Arch Enemy. But since music is still listened to with the ears and not the eyes, the arguments in its defense run out pretty quickly. All that’s left is hoping that Chainfist will air out their musical setup or else surrender in the cutthroat fight for survival. Either way, the record Black Out Sunday, just like its name, is merely a call for radical changes, and as for your memory capacity, rather than wasting it on stuffing in the moronic choruses of this attempt, dedicate it to something more useful.

This review was written in collaboration between Rock Hard Slovenija and RockLine.

Lineup

Jackie Petersen – vocals
Michael Kopietz – lead guitar
Braca Pedersen – bass
Tim Madsen – rhythm guitar
Jasper Heidelbach – drums

guest musician:
Jakob ‘Batten’ Hansen – guitar solo on the track SHCHWH

Production

Søren Jensen

Tracklist

1. Free Me
2. Edge of the World
3. Evolution
4. Be a Man
5. Have you Ever
6. Stay
7. In Your Face
8. Show Me
9. Clown
10. Carpe Diem
11. Black Out
12. SHCHWH (feat. Jakob Batten)

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